Home

  • 1995–2025 Michael Ferguson's Landscape Journey

    1995–2025 Michael Ferguson's Landscape Journey

    15 August - 30 September 2026
    Image of 1995–2025 Michael Ferguson's Landscape Journey
  • Seattle Art Fair : Khan Gallery at the Seattle Art Fair - Booth C-16

    Seattle Art Fair : Khan Gallery at the Seattle Art Fair - Booth C-16

    Jul 23, 2026 & Jul 26, 2026
  • Michael Ferguson, Painter

    Michael Ferguson

    Painter 15 August - 30 September 2026

    Michael Ferguson is a Seattle born American artist known for his landscapes, cityscapes, and evolving representational works often drawing on personal experiences, memory, and the natural world. Although largely self-taught, he briefly studied at the Burnley School of Professional Art in Seattle before embarking on a full-time career as an artist.

    Ferguson’s work moves fluidly between representational landscapes and narrative scenes drawn from memory, experience, and introspection. His paintings often hold a quiet emotional resonance, capturing not only a place but the feeling of a moment, the solitude of a shoreline, the rhythm of a city street, or the subtle poetry of ordinary life. Over time, his style has matured into a thoughtful blend of observation and imagination, marked by confident brushwork, gentle tonal shifts, and an enduring sensitivity to light.

    Today, Ferguson is recognized for the authenticity and depth he brings to his subjects, as well as his willingness to let his work evolve alongside his personal journey. His paintings continue to offer intimate views into both the natural world and human experience.

     
    Enquire

  • DIDAR

    By Alibaba Awrang
  • Art Hansen, Printmaker

    Art Hansen

    Printmaker

    Art Hansen (1929–2017) was an American painter and printmaker known for his intimate portrayals of nature and everyday surroundings. Born on Vashon Island, Washington, he developed a lifelong connection to the quiet landscapes, gardens, and rural scenes that became central to his artistic voice.
    Hansen’s work is defined by its simplicity, calmness, and technical precision. Through etchings, watercolors, oils, and pen-and-ink drawings, he captured delicate moments in nature, flowers, ponds, fields, and trees, rendered with a gentle, observant eye. His compositions often feel serene and meditative, reflecting an artist deeply attuned to the subtle beauty of the Pacific Northwest. Hansen’s prints are noted for their clean lines, fine detail, and a quiet emotional presence that invites viewers to slow down and experience the stillness within his scenes.

    More
    Enquire
  • Andrew Carson, Sculptor

    Andrew Carson

    Sculptor

    What exactly is interactive art? How do I blend mechanics and aesthetics? What do I convey through my kinetic sculptures? These are the questions I have pondered throughout my career as an artist.  

    I create my sculpture to interact with people and solve riddles of landscape both interior and exterior.  

    It is not always easy to blend functionality with form. Only a few of the kinetic sculptures I dream of, are ever realized. 

    Each design starts as a rough sketch on paper. Periodically I sift through my sketches and execute the most intriguing. From there I work methodically: sizing the parts, figuring the mechanics, perfecting the rotations, developing the prototypes. When the design is done, I print the final drawings at full scale. Then I engineer and make the parts with a combination of industrial processes and hand working, this includes every piece: pillars, metal elements, glass cups, hubs and transitions. Each piece is fabricated by hand. 

    Enquire
  • Richard A. Heller, Sculptor

    Richard A. Heller

    Sculptor

    Walking into my studio, I put pen to the blank page, or my hands on the raw stone, steel, or clay. What comes next is what comes next, making the unknown known.  

    My interpretation of my art is only one perspective. No one needs my permission to see sculpture or poetry in a way that pleases or moves them. It is a compliment for me if one finds their own words through mine, if a child is drawn to touch one of my sculptures, or a dog barks or growls at a piece.  

    Whether we are actors, musicians, painters, writers, or sculptors, the responsibility to put our hands, metaphorically speaking, into the clay is ours and ours alone. 

    I only pray that it is for the good of humankind.  

    Enquire

  • MISTY MARTIN

    Known for a uniquely detailed, photo-realistic style, her work emerges from a self-taught background shaped by inspiration from various artists and mediums. She gravitates toward subjects such as architectural ornamentation, distressed industrial spaces,